Argus- By Dead Puppet Society Touring Technical Specification B V1 Music Playback Option

Transcription

1 1of3 Argus- By Dead Puppet Society Touring Technical Specification B V1 Music Playback Option TouringCompany 4CastMembers 1xSM EquipmentwithTouringCompany Set 1x4mCircleTruss(in4arcs) 12xplywoodsetcladding 12xsteelarmsw/scaffclamp 6xcladdingjoins 2x1000mmrollerlegs 2x3000mmsteelrollerlegs 4xshortcrossbracepipe 3x200mm48ODSteelpipe 3x2000mm48ODSteelPipe 2x3200mm48ODSteelPipe 2x3900mm48ODSteelPipe 2xCrossbracelength 6xFixed(90Degree)scaffclamps 27xSwivelscaffclamps CostumeandProps 2xSmallpropsroadcase Lighting 3xLEDpar (Venuetosupplyifavailable) 4xFestoonlengths xbcpendantbulbfittings AsperWhitneyEglington4TechnicalDirector whitney@deadpuppetsociety.com.au

2 2of3 Sound 1xMacbookProwithQLabplaybacksystem Performance Runningtimeof4minutes,nointerval Pre6rigandsetup Lighting 4Lightingtoberigged,colouredandpatchedpriorto companiesarrivalaspervenueissuedlightingplan 4FloorElectricstobepreppedandcircuitstoberun4 howeverwillbeplacedfollowingthesetbuild 4Lightingtobefocussedduringcompanybumpin 4ShowfileisinbothIONformatandMAformat4Please adviseonvenueconsole Staging) ) 4Scaffpipeandscaffclampsforwheelstructuremaybe providedbythevenue4tbcinliaisonwiththevenue *RiskAssessmentsandSafeWorkMethodStatements (SWMS)Availablepriortobumpin* BumpIn 42xLightingtechniciansforhours 41xStagingfor4hours 41xSoundtechnicianfor3hours(Orminimumcall) (Expectingthatthevenuehaspre4riggedlighting,andPAis currentlyinstalledinstandardposition) Performance 61xSoundOperator 61xLightingOperator BumpOut 41xStagingfor3hours(Orminimumcall) 41xLightingfor3hours(Orminimumcall) 41xSoundfor3hours(Orminimumcall) AsperWhitneyEglington4TechnicalDirector whitney@deadpuppetsociety.com.au

3 3of3 Dimensions BlackBoxsetUp ProsceniumSetUp Minimummusablestagewidth StageDepthmin6m FloortoGridHeightMinimum4m GeneralStorage Storagespaceisrequiredinthetheatreforanyexcess touringequipmentnotused.243cubicmetresifpossible. Lighting Venuespecificplansandpaperworktobeprovidedcloser todate.genericplan,patchsheetsandfocusnotestocome. AudioandTalkback VenuetoSupply: 1xmixingconsolewithfacilityforstereoinputfrom computer FOHaudiosetup(+subs,ifpossible) 2xcondensermicsonshortstandsDSofwheel4 Performersvocal 1xChoirmic,hungincentreofcircle4Performersvocal 3xTalkbackheadsets(2xcontrolposition,1xstagelevel) DressingRooms Wardrobe/Laundry 1xdressingroomforcastmembers 1xproductiondressingroom Accesstowashingmachineanddryer+ironing/steaming facilities 1Clothesrackinperformerdressingroom AsperWhitneyEglington4TechnicalDirector

4 Top View Front View Side View- Opposite Prompt 3900 Notes: - Drawings do not depict plywood claddingbare truss only - Dimensions are subject to change - All pipe is 48 OD- Steel - Build drawing only- Venue specific plans to be issued prior to bump in ARGUS By Dead Puppet Society SET DRAWING V1 A1 As at July 2013 Drawn By Whitney Eglington

5 ARGUS By Dead Puppet Society Time Activity Required Standard Production Schedule B (Music Playback Option) 0800 Load into venue SM, Venue Crew Set Position, venue induction etc 0830 Begin Set construction SM Staging x Sound Set Up 1x Sound Props bump in SM, Cast LX Prac Rig 2x LX 1330 LX Focus Commence SM, 2x LX 130 LX Plot/ Fixups SM, 2x LX 1730 DINNER All Crew Summary: 1x Staging (4hrs), 2x LX (hrs), 1x SND (4hrs) Please note this is a sample schedule- actual schedule to be issued prior to bump in subject to venue specific needs. 1 of 1 Whitney Eglington whitney@deadpuppetsociety.com

6 BLINDER FLOOR LX Items positioned USC of 'wheel' set structure 16 N/C BOTTLE LED RGB STRIP On fly pully to be rigged above DSC of wheel HAZER Venue to provide if available FROSTED BULB 30 SET POSITIONED APPROX 1m-2m US of Setting Line Sightlines for set will determine its position in each venue. This will in turn solidify LX Bar positions C L 14 2 Bridge DSC 201/R /R132 Space fly tight 1 Ring B 8Ring 3DSC 4 Ring A 201/R132 DSC 1 Bridge 13 BOTTLE LED FLY The following table lists MIX mode colors sorted by DMX % level. A source temper of 3200 degrees K. is presumed. LX 3 Position from setting line- US 4.0m -.0m LX 2 Position from setting line- US 2.0m - 3.0m LX 1 Position from setting line- US 0.0m - 1.m SETTING LINE 9 Mix Mode Color Table - Sorted by DMX % Level CXI COLOUR CHEAT SHEET front string back string front string Color G960Chan 1MEDIUM Chan LAVENDER 2 Chan 1 Number Color Name G790 DMX % ELECTRIC DMX % BLUE DMX (dec) G99 ORCHID --- CLEAR G990 49% DARK 4% LAVENDER CUSTOMER 2 R2 49% LIGHT 100% LAVENDER CUSTOMER 1 R4 100% SPECIAL 4% LAVENDER 2 G40 PALE GREEN L116 MED BLU GRN 0% 63% 0 R48 ROSE PURPLE L139 PRIMARY GREEN 0% 9% 0 L203 1/4 CT BLUE G90 DARK BLUE 4% 0% 10 L101 YELLOW R83 MEDIUM BLUE 4% 4% 10 R344 FOLIES PINK R80 PRIMARY BLUE 4% 9% 10 R10 MEDIUM YELLOW L132 MEDIUM BLUE 4% 13% 10 G40 SAFFRON R69 BRILLIANT BLUE R312 4% CANARY 27% 10 G740 OFF BLUE L104 4% DEEP 31% AMBER 10 L124 DARK GREEN G32 4% BASTARD 8% AMBER 10 R90 DRK YELL GRN R09 4% PALE AMBER 90% GOLD 10 L181 CONGO BLUE R14 9% MEDIUM 0% STRAW 23 R383 SAPPHIRE BLUE G1 9% LIGHT 4% PINK 23 G83 AZTEC BLUE G330 9% SEPIA 13% 23 G810 MOON BLUE L204 9% FULL CT 18% ORANGE 23 L118 LIGHT BLUE R1 9% DEEP 27% STRAW 23 G690 BLUEGRASS G160 9% CHORUS 4% PINK 23 G91 TWILIGHT G343 13% HONEY 4% 33 G760 AQUA BLUE L179 13% CHROME 31% ORANGE 33 G72 PRINCESS BLUE L110 13% MIDDLE 40% ROSE 33 G68 PISTACHIO L10 13% ORANGE 63% 33 G60 GRASS GREEN R36 13% MEDIUM 8% PINK 33 G94 ROYAL PURPLE R318 18% MAYAN 0% SUN 46 G847 CITY BLUE G33 18% CORAL 18% 46 G130 ROSE G81 MOODY BLUE 18% 22% 46 L111 DARK PINK R6 DAYLIGHT BLUE 18% 27% 46 R23 ORANGE G710 BLUE GREEN 18% 36% 46 G31 AUTUMN GLORY G680 KELLY GREEN 18% 63% 46 R44 MIDDLE ROSE G660 MED GREEN 18% 81% 46 R32 MEDIUM SALMON PINK R38 ROSE INDIGO 22% 0% 6 R22 DEEP AMBER L180 DARK LAVENDER 22% 4% 6 G110 DARK ROSE G90 PURPLE G120 22% BRIGHT 9% PINK 6 R64 LIGHT STEEL BLUE G18022% CHERRY 22% 6 R7 LAVENDER R19 27% 13% FIRE 69 G940 LIGHT PURPLE L128 27% BRIGHT 18% PINK 69 L201 FULL CT BLUE R39 27% EXOTIC 27% SANGRIA 69 L117 STEEL BLUE R46 27% MAGENTA 36% 69 R86 PEA GREEN R26 27% LIGHT 8% RED 69 Extreme Approx sightline 4º Extreme Approx sightline 4º FESTOON To be hung above set between LX positions on stage Curtain Call 202/R /R132 DSC Letterbox /R119 Curtain Call 18 FOH 1 Position from setting line- DS 2.m - 4.0m C L VENUE 1200 FRESNEL PROFILE 30º - 40º TOURING PACIFIC 23º - 0º ROSCO TWIN SPIN 7. CXI SCROLLER FESTOON STRING PLUG POSITION BAYONET Custom Gobo Chan 8 COLOUR PURPOSE IRIS CHANNEL NOTES - All Fresnels to be rigged with Barndoors. - All profiles have 4 workable shutters. - All Lamps to be rigged with full colour and accessories. - All gel is LEE unless otherwise stated. - All measurements of lighting positions from setting line take into account an approx LX bar height of 6m from stage floor. - All hanging bayonets are clear white bulbs- can be mix fancy/reg size. - Gobos in twin spins are standard medium breaks ups. ARGUS By Dead Puppet Society STANDARD LIGHTING PLAN NATIONAL TOURING PRODUCTION TEAM director DAVID MORTON lighting designer JASON GLENWRIGHT touring Stage manager/realiser SAMUEL MAHER 06/0/201- VER 1.0 A3 DRAWN BY J.G. JASON GLENWRIGHT